★★★★★
The worst thing about this show is the break!
The story of Jesus Christ is known to many, even if only superficially. Directed by Timothy Sheader, this reimagining of Andrew Lloyd Webber and Tim Rice’s classic musical offers a surprising intersection of a superstar Jesus and a martyr Jesus (played by Olivier nominee Ian Mcintosh, who I recently interviewed).
Jesus enjoys being in his glory at the beginning, however, little by little, he realises that he is more than just a star. The epicentre of his being is the song ‘Gethsemane (I Only Want to Say)’. Throughout the history of this show, performers singing this song have expressed a range of emotions, varying from genuine sadness to outright anger. In this production, Ian expresses both outrage and doubt concerning the existence of God. It feels as though he is confronting God, crying out, “See how I die!”.
The final scene, the crucifixion, makes you stop breathing. The scene gives shows the brutal descent of a star – in gold and fame. We are transported back to the day of execution in Golgotha.
Even if you are not a fan of this story, you will be enchanted by the charming voice of Mary Magdalene (Hannah Richardson), who depicted the change that happened with “women of her kind” when she falls in love. Her rendition of ‘I Don’t Know How to Love Him’ is enthralling.
Judas (Shem Omari James) seem to be the only character in this production, who reflects the initial idea of the man who realised that Jesus has deviated from the original path, and, while others nourish Jesus’ fame, Judas tries to reach him. He betrays Jesus, gets his hands covered in “blood”, and then meets a tragic end.
Another character whose soul suffers from the decision he has to make is Pilate (Ryan O’Donnell). In this production, his torment is reflected even better than in the brilliant 1973 movie.
National treasure Julian Clary plays Herod in the show and has the most pompous appearance. While I understand why the audience loved this episode, I felt that this Herod was somewhat out of context with the story. It felt more like a one-man comedy show or cabaret, not quite in line with the rock opera ambiance around Jesus Christ – the Superstar.
Finally, Caiaphas (Jad Habchi), Annas (Matt Bateman), and other priests appear in an unexpected but rather fascinating way. The contrast between their voices, their characters, and the way they put themselves is unbelievable. You will feel like you are daydreaming in an amazing, rocking dream.
A special place in this show is reserved for the ensemble. They complement the iconic music in a way that conveys the underlying mood and emotion of every scene, overwhelming the audience. Choreographed by Drew McOnie and led by Megan Bryony G, the ensemble is impossible to take your eyes off. The way the Last Supper unfolded was just incredible. In that moment, you forget that the show is not directly tied to the religious aspects of the story. And even if you have no idea about Jesus’s days before the crucifixion, you will recognise this scene without any words.
Without going into further detail, I would recommend this show to everyone. Whether you are a fan of the 1970 musical album, fascinated with the movie, or simply want to enjoy a stage performance, you cannot miss this show, especially if it comes to your town!
Jesus Christ Superstar runs at Palace Theatre Manchester, where it is having its UK regional premiere, from September 11 to 23 and tours the UK until August 17.
Photo: Paul Coltas
JADAR 